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Citizen: An American Lyric, by Claudia Rankine
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Review
“[Citizen] is an especially vital book for this moment in time. . . . The realization at the end of this book sits heavily upon the heart: 'This is how you are a citizen,' Rankine writes. 'Come on. Let it go. Move on.' As Rankine's brilliant, disabusing work, always aware of its ironies, reminds us, 'moving on' is not synonymous with 'leaving behind.'†―The New Yorker“Citizen is audacious in form. But what is perhaps especially striking about the book is that it has achieved something that eludes much modern poetry: urgency.†―The New York Times“So groundbreaking is Rankine's work that it's almost impossible to describe; suffice it to say that this is a poem that reads like an essay (or the other way around) - a piece of writing that invents a new form for itself, incorporating pictures, slogans, social commentary and the most piercing and affecting revelations to evoke the intersection of inner and outer life.†―Los Angeles Times“Rankine brilliantly pushes poetry's forms to disarm readers and circumvent our carefully constructed defense mechanisms against the hint of possibly being racist ourselves. . . . Citizen throws a Molotov cocktail at the notion that reduction of injustice is the same as freedom.†―The New York Times Book Review“Moving, stunning, and formally innovativeÂ-in short, a masterwork.†―Salon“Part protest lyric, part art book, Citizen is a dazzling expression of the painful double consciousness of black life in America.†―The Washington Post“The book of the year is Claudia Rankine's Citizen. It would have been the book of any year.... Citizen asks us to change the way we look; we have to believe that that might lead to changing the way we live.†―The New Yorker’s Page-Turner“[Citizen] is one of the best books I've ever wanted not to read. . . . Its genius . . . resides in that capacity to make so many different versions of American life proper to itself, to instruct us in the depth and variety of our participation in a narrative of race that we recount and reinstate, even when we speak as though it weren't there.†―Slate“Marrying prose, poetry, and the visual image, Citizen investigates the ways in which racism pervades daily American social and cultural life, rendering certain of its citizens politically invisible. Rankine's formally inventive book challenges our notion that citizenship is only a legal designation that the state determines by expanding that definition to include a larger understanding of civic belonging and identity, built out of cross-racial empathy, communal responsibility, and a deeply shared commitment to equality.†―National Book Award Judges’ Citation“Citizen is an anatomy of American racism in the new millennium, a slender, musical book that arrives with the force of a thunderclap. . . . This work is careful, loving, restorative witness is itself an act of resistance, a proof of endurance.†―Bookforum“Accounts of racially charged interactions, insidious and flagrant, transpiring in private and in the public eye, distill the immediate emotional intensity of individual experience with tremendous precision while allowing ambiguity, ambivalence, contradiction, and exhaustion to remain in all their fraught complexity. . . . Once again Rankine inspires sympathy and outrage, but most of all a will to take a deep look at ourselves and our society.†―Publishers Weekly, starred review“A prism of personal perspectives illuminates [Rankine's] meditations on race. . . . Powerful.†―Kirkus Reviews“Claudia Rankine's Citizen comes at you like doom. It's the best note in the wrong song that is America. Its various realities--'mistaken' identity, social racism, the whole fabric of urban and suburban life--are almost too much to bear, but you bear them, because it's the truth. Citizen is Rankine's Spoon River Anthology, an epic as large and frightening and beautiful as the country and various emotional states that produced it.†―Hilton Als
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About the Author
Claudia Rankine is the author of four previous books, including Don't Let Me Be Lonely: An American Lyric. She currently is a chancellor of the Academy of American Poets and teaches at Pomona College.
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Product details
Paperback: 160 pages
Publisher: Graywolf Press; 1 edition (October 7, 2014)
Language: English
ISBN-10: 1555976905
ISBN-13: 978-1555976903
Product Dimensions:
5.7 x 0.4 x 8 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
334 customer reviews
Amazon Best Sellers Rank:
#4,700 in Books (See Top 100 in Books)
Rankine's experimental work here is unique strong and has struck a cord on race relations and theory as well. The prose poems are particularly strong, exploring "micro-aggressions" and other forms of tension in lyric vignettes that can delve into the psychology and social pathology of those seemingly minor events. The poetry around Serena Williams and black bodies are particularly innovative and the narrative pulls one through some real earned rage, but one not used the tropes of experimental poetry may be frustrated with some of the other sections. That said, Rankine is a master of layering and complicating while exploring seemingly invisible in US society. Furthermore, Rankine depth of feeling can pull one through what may seem like otherwise poetically intimidating techniques. For understanding the racial divide, for appreciating experimental poetry, for insight into American life, Rankine's Citizen has earned all the awards it has gotten and will get people to go places both artistically and socially that would otherwise make them uncomfortable.
Claudia Rankine’s Citizen: An American Lyric, may be thought of as a book of poetry, especially because it was the recipient of the NAACP Image Award for Outstanding Literary Work in Poetry. However, the pieces collected in this book defy easy classification; Citizen is a book of lyricism, image, blank space, identity, and tribute. It is a counter-narrative to the racism of the dominant white culture in America, as it seeks to give voice to those who have been silenced and grouped into a collective that erases individuality. Rankine seeks to reclaim the image of the black body by removing it from view; the writing in this book is highly lyrical, but holds back in its imagery. Rather, images appear as actual photographs that color the stark white pages of the book. By deemphasizing the image of the black body in her language, Rankine speaks against the conception of the black body as something merely to be viewed.But Rankine does more than remove things from view; she calls forth every person’s complicity in the racist culture of which Americans are all a part. She does this by writing most of the pieces in this book in the second person. The reader is confronted with herself over and over in lines such as “The sky is blue, kind of blue. The day is hot. Is it cold? Are you cold? It does get cool. It is cool? Are you cool?†Rankine seems to be asking the reader, are you cool with this? Will you sit by and allow systematic racism to oppress and destroy an entire people? She lets no one escape her microscope, ultimately showing us that both the victim and the oppressor are damaged by the effects of racism.Citizen is an essential read for every American, at the very least because it undercuts the idea that there is one single, true American narrative; in reality, the lessons we learn in history class are largely a “fiction of facts.†Black people in America have been continuously oppressed through the language of the white narrative; in this book, Rankine uses lyricism and photographs to reclaim the oppressive linguistic translations of the black experience—she illuminates another side of history.
WOW!!! I read this through twice and will continue to read, as well as all that Rankine has written! Absolutely took my heart out of my chest and had me sobbing and changed forever! Her work is unparalleled! So, I will add some quotes of Rankine, although the entire book is quotable and I highly recommend you watching Rankine read from "Citizen," and answer questions via youtube: [...]""You like to think that memory goes far back though remembering was never recommended. Forget all that, the world says. The world's had a lot of practice. No one should adhere to the facts that contribute to narrative, the facts that create lives. To your mind, feelings are what create a person, something unwilling, something wild vandalizing whatever the skull holds. Those sensations form a someone. The headaches begin then. Don't wear sunglasses in the house, the world says, though they soothe, soothe sight, soothe you."""That time and that time and that time the outside blistered the inside of you, words out maneuvered years, had you in a chokehold, every part roughed up, the eyes dripping."This is top of my list of all the books I've read this year! Get a copy! You won't be able to put it down, but if you do, maybe you ran out of tissue! LOVE!!!
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